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Cellist Astrid Schween and pianist Shai Wosner

August 5 @ 2:30 pm

TLI Presents: Astrid Schween on cello and Shai Wosner on piano, performing an afternoon of Debussy and Britten and Brahms at the Linde Center.

Debussy — Sonata for Cello and Piano in D minor
Britten — Sonata for Cello and Piano in C, Op. 65
Brahms — Sonata for Cello and Piano No. 1 in E minor, Op. 38

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Astrid Schween

Cellist Astrid Schween, Instrumental Faculty for the Tanglewood Music Center, has gained a rich following and enjoys a varied career as a soloist, chamber artist and teacher.

Since joining the Juilliard String Quartet in 2016, she has appeared at Amsterdam’s Concertgebouw, the Musikverein in Vienna, the Berlin Konzerthaus, London’s Wigmore Hall, Yamaha Hall in Tokyo, and in Hong Kong, Singapore, Greece, China, Spain, Scandinavia and throughout the US, with concerts at the Lincoln Center Chamber Music Society, New York’s 92nd Street Y, Ravinia, Tanglewood and the Kennedy Center.

With degrees from the Juilliard School, Astrid Schween received her training under the guidance of Leonard Rose, Harvey Shapiro, Bernard Greenhouse, Ardyth Alton and Dr. H.T. Ma, and was mentored as a young cellist by Jacqueline Du Pré and Zubin Mehta. She participated in the Marlboro Music Festival, the William Pleeth Cello Master Classes in Aldeburgh and made her debut at the age of 16 with the New York Philharmonic.

This season, Astrid Schween will appear as soloist-special guest artist at the Violoncello Society of New York, Seattle Chamber Music Festival, Cleveland Cello Society, Gather NYC, Aronson Cello Festival and in Minneapolis at the 20th Biennial Suzuki Association of the Americas Conference. In the spring, she will host a special event in honor of the Guarneri String Quartet at the Metropolitan Museum of Art.

Other recent solo engagements have taken her around the US, with a performance of the Elgar Concerto in Boulder, CO last season and performances with the Memphis Symphony and at the Peninsula, Interlochen and Sewanee festivals. Astrid Schween was recently featured in Strings and Strad magazines, on various NPR programs, and was a guest speaker on Women in Music at the Library of Congress.

Shai Wosner

Pianist Shai Wosner has attracted international recognition for his exceptional artistry, musical integrity, and creative insight. His performances of a broad range of repertoire—from Beethoven and Schubert to Ligeti and the music of today—reflect a degree of virtuosity and intellectual curiosity that has made him a favorite among audiences and critics, who note his “keen musical mind and deep musical soul” (NPR’s All Things Considered).

Committed to innovative programming, his latest project is a collaborative program of new arrangements composed with fellow performers, clarinetist Martin Fröst and violist Antoine Tamestit. Based around Mozart’s Clarinet Trio in E flat ‘Kegelstatt,’ specifically written for clarinet, viola, and piano, the program rearranges other trios for this rarely heard configuration, including Fauré’s Piano Trio in D minor Op. 120 and Brahms’s Clarinet Trio in A minor Op. 114, both arranged by Wosner, and Brahms’s Two Songs with Viola, Op. 91 co-arranged by all three artists.

This season, the trio performs these arrangements at Wigmore Hall in London, Theatre Essen, Laeiszhalle in Hamburg, and Wiener Konzerthaus.

Wosner continues his multi-season Artist Residency with the Peoples’ Symphony Concerts (PSC) in New York performing chamber music, and performs his PSC-commissioned recital program Variations on a Theme of FDR—a suite of five variations by composers Derek Bermel, Anthony Cheung, John Harbison, Vijay Iyer, and Wang Lu—presented by the Philadelphia Chamber Music Society.

As inspiration for their music, the composers were given a ‘theme’: a quote from a 1938 speech by President Franklin Delano Roosevelt: “Remember, remember always, that all of us… are descended from immigrants and revolutionists.” Wosner’s idea of collecting variations on a shared theme from a variety of composers was inspired by the similar initiative undertaken two centuries ago by music publisher Anton Diabelli—an effort that led to the composition of Beethoven’s Diabelli Variations, with which Variations on a Theme of FDR is paired in recital.

In February 2023, Wosner curates and performs in the second annual Kurtág Festival at Bard Conservatory, exploring the music of Hungarian composer György Kurtág (b. 1926) while also using the composer’s works as a point of departure into musical ideas regardless of century.

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Event Details

Details

Date:
August 5
Time:
2:30 pm
Event Categories:
,

Event Location

Tanglewood
297 West St.
Lenox, MA
413-637-1666

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